世界的阿菊

  • 黑木华 宽一郎 池松壮亮 真木藏人 佐藤浩市 石桥莲司
  • 90分钟
  • Edo-era Japan. If you are familiar with the attitu…Edo-era Japan. If you are familiar with the attitude of Sakamoto Junji, you don’t even need the cheeky welcome to understand that the samurais, nobles, and landlords in this jidaigeki will not be portrayed in the heydays of their glory. And so it is: our welcome party are two rogue vagrants making their living as “manure men”, turning the waste from the tenement toilets into fe... (展开全部) Edo-era Japan. If you are familiar with the attitude of Sakamoto Junji, you don’t even need the cheeky welcome to understand that the samurais, nobles, and landlords in this jidaigeki will not be portrayed in the heydays of their glory. And so it is: our welcome party are two rogue vagrants making their living as “manure men”, turning the waste from the tenement toilets into fertiliser sold to local farmers. Enter Okiku, the only daughter of a fallen samurai, and amongst the overflowing piles of excrement, a well-nourished love story unfolds. Naturally, the cesspools are a wonderful place to store environmental concerns and class issues that Okiku and the World explores with a blend of impish humour and sewage wit. The cast of characters sparkle and the relationships that develop between them are full of resilience and gentle romance. This unconventional tale finds wonder amidst the waste. A powerhouse in his native Japan, Sakamoto Junji’s work has been mostly overlooked on the international stage. No stranger to controversy, he brings a signature boldness to the period drama, with an aesthetic confidence that makes the viewing experience both playful and rich. The meticulous production design is captured in black-and-white photography embellished with glimpses of colour, revealing both the beautiful and the foul. 源自:iffr.com/en/iffr/2023/films/okiku-and-the-world

同主演

  • 风云音乐已完结
  • 置业频道更新至第08集
  • 风云足球更新至第07集
  • 西藏卫视(藏语)HD中字
  • 骄阳剧场已完结
  • 辽宁卫视BD
  • 黑龙江卫视BD
  • CCTV-14少儿HD中字

世界的阿菊评论

  • 评论加载中...